Tuesday, March 28, 2017
ReadItDaddy's Chapter Book of the Week - Week Ending 28th April 2017 - "Bird Girl" by Maudie Smith and Lucy Fleming (Orchard Books)
Posted by ReadItDaddy at 10:00 AM Labels: Bird Girl, Chapter Book of the Week 2017, Lucy Fleming, Maudie Smith, Orchard Books
Two new corkers for wee ones from Maverick Publishing. Meet a family of giants, and a rather polite Gnu!
Posted by ReadItDaddy at 9:30 AM Labels: Billy Coughlan, Fum, How Do You Do Mr Gnu, Karl Newson, Lucy Fleming, Maddie Frost, Maverick Publishing
First up is our old Twitter mate Karl Newson with a new story that delightfully dances with a few well known (and not so well known) characters, including a family of giants.
In "Fum" by Karl Newson and Lucy Fleming, the family have lost the tiniest member of the family. Little Fum really is thumb-sized, and so the family take a trip through storyland to try and find him, asking various well known characters (including Goldilocks and Little Red Riding Hood) if they've seen the pint-sized fellah anywhere.
It's a lyrical rhyming adventure that's sure to be a read-aloud favourite.
"Fum" by Karl Newson and Lucy Fleming is out now, published by Maverick Publishing.
Then there's that Gnu!
Slipping out of his zoo enclosure, Gnu causes a fuss as he takes a wild journey to the palace, picking up some etiquette and politeness tips as he goes.
But the last person he sees might just see poor Mr Gnu pick up a rather nasty habit instead. Will he make a good impression on Her Maj?
This is a rib-tickling and entertainingly original story - again fab to read aloud with some brill illustrations (and many giggles as we watch the hapless police trying to convince Mr Gnu to get back to his zoo!)
"How do you Do, Mr Gnu?" by Billy Coughlan and Maddie Frost is out now, published by Maverick Publishing.
(Both books kindly supplied for review)
Monday, March 27, 2017
Friday, March 24, 2017
ReadItDaddy's Chapter Book of the Week - Week Ending 24th March 2017 - "The Seriously Extraordinary Diary of Pig" by Emer Stamp (Scholastic Children's Books)
Posted by ReadItDaddy at 10:00 AM Labels: Chapter Book of the Week 2017, Emer Stamp, Scholastic Children's Books, The Seriously Extraordinary Diary of Pig
Oooh! If there's one thing that gets our trotters in a twist, it's the prospect of re-reading fabulous books we've already loved in hardback in their new paperback clothes.
ReaditDaddy's Second Book of the Week - Week Ending 24th March 2017 - "The Street Beneath My Feet" by Charlotte Guillain and Yuval Zommer (Words and Pictures)
Posted by ReadItDaddy at 10:00 AM Labels: Charlotte Guillain, The Street Beneath My Feet, Words and Pictures, Yuval Zommer
ReadItDaddy's Book of the Week - Week Ending 24th March 2017 - "Mummy Laid an Egg" by Babette Cole (Red Fox Picture Books)
Posted by ReadItDaddy at 9:30 AM Labels: Babette Cole, Mummy Laid an Egg, Picture Book of the Week 2017, Red Fox Picture Books
Thursday, March 23, 2017
|Cover Artist Francis Tipton Hunter (Saturday Evening Post)|
Championing Sarah McIntyre's brilliant "Pictures Mean Business" campaign (which you can read more about over on her blog), it feels like something we have to chirp up about on a regular basis, because there's still a long way to go and a lot of work to do.
Recently we've noticed that some publishers have definitely got the message. Oxford Children's Books now handily note who their cover artists are in press releases. If you're a book blogger who is quite often pushed for time, and covering a lot of books - having vital information like that in a handy-to-refer-to press release is a godsend, saving vital time scrabbling around for the information or fruitlessly googling / looking at publisher websites to try and find the answer (quite often if you're looking at an early draft of the book, the full credits aren't always included in the inside pages anywhere).
So what's the deal here? Why is this even a thing?
We'd hazard a guess that it's a mix of things. Publishers not wishing to detract from the author's hard work, perhaps even the assumption that once an artist is paid up for their cover work the deal is done. But as many artists will know, their cover art is a vital prod in the right direction for those folk who (like us) still browse bookshops in search of something new and cool to read.
There's no getting around the fact that cover impact is a huge part of a 'browsing' book buying decision and though there's a fair amount of snobbery about this particular method of making a book buying decision, it's absolutely the way a lot of kids will discover books (and particular authors) for the first time.
I remember overhearing a conversation in Waterstones once, where a boy was arguing with his brother that Terry Deary not only wrote the Horrible Histories books but also did all the illustrations and covers. It was quite hard not to chirp in and point out that Martin Brown's hard work is a huge part of the success of those books, but kids are kids and who the heck would want some grumpy adult correcting you when you're trying to score points over your brother?
I had a conversation recently with an artist who provided covers for a book we recently reviewed, who was told flatly by the publisher that they wouldn't be getting any kind of a cover credit. Again this struck me as more than a bit mean - this is, after all, a hugely valuable way of an artist getting more work - if their images are used on a book cover and in promo material, and they have no claim of proof of this (as I'm guessing once art is handed over, the sole rights then belong to the publisher) then how is that even fair? (I've chosen not to reveal the artist's name or the publisher but I'm quite frankly surprised that large publishers are worse for this sort of thing than smaller indies).
One line of credit text on a book cover is surely not that much to expect? Believe me, I would find it a massive help and who knows? The next generation of artists might be even more inspired as they come up through the ranks to know that they will actually get their name on a book. Surely it makes sense?